Saturday, April 28, 2012
Russia based studio, Province, created deconstruct from brightly color blocks. The examination of letterforms through variation in block widths and heights creates unexpected forms and texture. Deconstruct challenges the convention of how traditional letterforms are made. We especially like how the 3D letter compositions transform into a 2D vector base alphabet.
Tuesday, April 24, 2012
The Arkitypo project is a full 3D alphabet created by Johnson Banks and came about when their client, Ravensbourne, asked them to develop a project to test and showcase their in-house 3d prototyping skills.
They developed an 'alphabet of alphabets', each letter was selected from a typeface beginning with that character, which is used in the sculptural work. Below is selection of the letters, visit the Arkitypo project page for the complete alphabet and more about the project.
Originally designed in 1896, and forerunner to Helvetica, Akzidenz was part of a family of early sans-serifs called ‘grotesques’. It comes in a range of weights and styles: for this design a condensed weight is ‘fractalised’, turning a grotesque into a thing of beauty.
Baskerville and Bodoni are usually judged as two separate typefaces, but Giambattista Bodoni modelled his famous font on John Baskerville’s, at first. The key difference is that the thicks and thins are in turn thicker, and thinner.
Courier was originally commissioned for 1950s IBM typewriters, but soon became the standard font throughout the then-emerging industry. As a nod to the torturous days of jammed machinery, this ‘C’ is built from a small forest of typewriter keys.
Herb Lubalin designed this font by initially basing it on its predecessor, Avant Garde. It filled a need for a slab-serif alphabet for the emerging phototypesetting industry.
One of the original computer fonts, OCR became omnipresent in banking and on cheques. It was often printed in magnetic ink and was widely adopted in industry, despite the fact that many of its letterforms (designed to be uniquely different) were in fact uniquely odd.
Many of the characters within this grid-based typeface from 2002 have the impression of having 3D form whilst only 2D. So this adaptation imagines what its 3D shape ‘could’ have been.
A font specially designed for use on screen: after being bundled into Windows software from the mid-nineties onwards it has become one of the pre-eminent typefaces on the worldwide web.
Sunday, April 8, 2012
You can find London-based photographer Tim Walker’s image, “love one another”, in his Stern Portfolio published 2007. He is known for mixing hyper real fairytale with a dash of eccentricity. Although elegant, there is nothing uptight about his work. His influential images have shown up in the pages of trend-setting magazines like Vogue, W and Harper's Bazaar as well as advertising campaigns for clients such as Comme des Garcons and Yohji Yamamoto.